Culture
- in the 1950's we still had the remains of an older cultural world, a world of "high art" and distinct social divisions. There were serious novels and books on the best seller list: works by Hemingway, Steinbeck, Nabokov, and Pasternak. The Book of the Month Club was riding high. Leonard Bernstein was on TV. A boy in rural New York got a definite sense of a defined hierarchy, ruled over by the NYTimes, the New Yorker, and the Saturday Review of Literature as gatekeepers and New York City as the center of the universe.
- in the 1950's "mass culture" was a rising concern--the TV "vast wasteland" was a concern before Newton Minow so labeled it in 1961. Comic books were becoming popular among the boomer youth, but were viewed as a threat to the culture and a cause of juvenile delinquency by Dr. Wertham, resulting in establishing the Comics Code Authority, to self-regulate the content. (This might have been modeled on the Motion Picture Production Code and the effort by the Catholic Church to censor movies. People saw the popularity of books like Peyton Place was seen as a threat to standards.
- in the 1950's you had classical music, jazz which was starting to get some serious attention, and popular music--Sinatra, Crosby, et.al. Rock was just appearing, but it was a threat to the morals of the youth. Folk and country were niches.
Culture Today
- today I don't see the structure we had in my youth, in books, in music or generally. The best seller list more rarely seems to contain "serious novels", There are several more niches, niches which have more attention to them from serious critics.
- it seems to me that's a generalization: today there's lots more variety, more niches in all aspects of culture and much less of a pecking order in evidence.
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