The Revenant Is an Oscar Favorite?

Just saw the movie.  Maybe an old geezer doesn't have the patience for 5 minute shots with nothing much happening, but I did not like it.  Yes, DiCaprio's efforts must be respected and I wouldn't have a problem with him getting best actor.  And the picture making is fine, though the scenery is cold.  But a movie is supposed to tell a story and there wasn't much there, certainly not enough for 2 hours 30 minutes.  Maybe chop an hour out and it would play, but there's no way I see it as a best movie candidate.

RIP Alan Rickman

I seem to be on a culture kick this week.  Alan Rickman died at age 69.  The obits talk about Harry Potter and Die Hard, and the stage.  I'd like to mention the Barsetshire Chronicles, a BBC series based on the Trollope novels in 1982.  Rickman played Obadiah Slope in a memorable performance.  Slope is an ambitious young clergyman, a villain, but whose love for the girl almost redeems him.  The books were great, but Rickman's performance is greater.

Another Cultural Disconnect--Star Wars

We just saw the new Star Wars movie today.  While I saw and enjoyed the original Star Wars movie, I have to admit I never saw any of the others.  I suppose that impaired my enjoyment of the new one.  While I enjoyed parts of the movie, particularly the Harrison Ford bits (he's about a year younger than I) it didn't turn me on.  Using the Netflix 5 star rating system, I'd give it a 3, while apparently most critics are giving it a 4, even a 5.

"A Deal Deal"

One of my favorite movies is a minor Clint Eastwood film: Kelly's Heroes.  It's a weird combination of war escapade and satire, mocking both the military and the counter-culture, Westerns, and movies..   Eastwood leads a motley crew through German lines into a town to rob a bank of German gold.  However a squad of German tanks has also learned of the gold, so the good guys and bad guys face off in the town, eventually reaching an impasse.  That's the moment at which Don Rickles, playing a corrupt supply sergeant, persuades Telly Savalas that it's time to do a deal with the Germans to split the gold; as he describes it, a "deal deal".

 That's what Speaker Ryan did in the closing days of Congress, a deal deal.  That's what some Republicans, particularly Paul Hinderaker at Powerline, don't understand--politics as the art of the deal deal.

Good Movies: The Spotlight

Just saw Spotlight, an account of the Boston Globe's investigation into pedophile priests and the cover-up. It's very good, so far and as best I can remember, my best movie of 2015. It's the story of getting the story, without being overly maudlin about the subject matter. For anyone who's worked in a bureaucracy, the beginning is a surefire hook (nerves in the office as a new editor arrives), but the movie is always good on the minutiae/

Other good movies which I expect to get Oscar nominations:

• The Martian.  
• Bridge of Spies

What Is Productivity in Making Movies?

My wife and I use Netflix a lot.  One of the obvious differences between classic movies and today's movies is the length of the list of credits.  Presumably part of that is giving credit to everyone involved.  But I assume, without any proof, that movies which use computer-generated graphics must employ a lot more people.  And even those which don't use CGI probably have more people per minute of film.

I'm currently drawing a blank on the name of the economist who observed that productivity in the services is much different than in manufacturing or agriculture: an orchestra playing Beethoven's 5th is roughly the same size whether it's 1915 or 2015.  I suppose that modern movies are "better" than the classics, though that's hard to prove.  Certainly they're different, sometimes faster (though watch the Cary Grant/Rosalind Russell "His Girl Friday" and you may doubt that), with different plots and plucking different heart strings.  They're definitely suited to our times and our sensibilities--again see Girl Friday for proof.

I don't know how the economists count the wages paid to the people who make say "A Good Year"--the most recent movie we watched on Netflix. (It's a piece of fluff, but very pleasant fluff set in Provence--obviously the moviemakers should have donated their efforts just to be living in such surroundings.) And how does the revenue from the movie count as well?

In the grand scheme of things, I assume economists used to assume that movies have short lives, with the cost of production and the return at the box office happening in a few months, or maybe a year.  Only the rarity like Gone With the Wind and the Disney flicks could be rereleased in later years.  But the truth now is that movies can live forever.  Maybe the money from their longer lives will diminish to the vanishing point, as piracy and innovation reduces the cost of providing the movie almost to zero, but the gain to the watcher remains significant, although not measured by economists.

Growing Corn in the Movies

I enjoy Matthew McConaughy--first saw him in Lone Star, which is a very good movie by John Sayles, who was a very good filmmaker, for a while at least.

I understand from reviews that in his new movie, Interstellar, disaster has hit the world, requiring people to venture out through wormholes to other planets.  Sounds like a story I might have enjoyed growing up, when I was reading Asimov and Anderson, Heinlein and Clarke. 

But my point: apparently corn is the only crop which can be grown now. I understand corn has some movie magic which other crops don't--you can hide in corn, famous ballplayers can emerge from corn, "corn" has multiple meanings, etc. etc.  But corn, really?  The moviemaker is misleading a bunch of people who've no understanding of agriculture in the first place.  Why not sorghum in a world of dust storms?

Political Correctness from 1940

Been reading Lynn Olson's "Those Angry Days" on the fight over the U.S. entering WWII.  It's good, well written and an interesting subject which she handles reasonably objectively.

One factoid which reminds me both how different the past was, and how similar.   A movie [Pastor Hall]was banned in Chicago (remember the days when movies were banned?) because of a Chicago law which prohibited the denigration of any race or ethnicity and the local board thought it was anti-German in its depiction of the treatment of the Jews.

[Updated to add link to movie title, which was based on Rev. Martin Niemuller.]

Downton Abbey and British Agriculture

Been re-watching Downton Abbey, season 3.  What does it tell us about British agriculture, or at least farming on the Earl's estate?  (Caution: We probably can't assume Julian Fellowes is an expert on early 20th century agriculture.)

It appears that the estate includes a substantial acreage of farmland, divided into farms held by tenant farmers.  Remember that when Daisy the assistant cook visits Mr. Mason's (father of her late husband) farm, he tries to entice her to live with him by offering to make her his heir, inheriting all he has.  He describes that as essentially equipment and livestock, but not the land. We've no clue how much land he's farming, but he's obviously done well.  I'm not sure whether Mason is one of the Earl's tenants, but it indicates the pattern that existed, or Fellowes thinks existed, in Yorkshire.

When Matthew and Tom work out a plan to modernize the running of the estate, it includes offering the tenants a buy-out, so the land they are farming can be reworked into bigger estates.  Though there's no discussion of why bigger is better, season 2 did include scenes of Lady Edith driving a tractor.  Presumably that tractor was the farmer's, not the estate's, but being able to afford such modern labor-saving devices would require the tenant to farm more acreage.
 

Good Sentence of the Week

" Biting people is hard, and people tend to notice when you try it."

From Ezra Klein's review of World War Z--interesting in the parallels of zombies to viruses and werewolves to sex.

The Oscars and Bureaucrats

The papers today note some of the top movies are favorable to DC figures, although the Post calls them "bureaucrats".  I don't think Lincoln qualifies as a bureaucrat, he was a politician and a good one.  The heroes of "Argo" and "Zero Dark Thirty" could be called bureaucrats I guess, and since they'll never make a movie, good, bad or indifferent, about a USDA employee, it's about the best we can do.  (I enjoyed "Lincoln" and "Argo", haven't seen ZDT yet.)

Call an Ambulance for the Right Wing

I worry for their hearts when they hear Jane Fonda is playing Nancy Reagan. (I wonder whether Alan Rickman can change his voice enough to be convincing as Ronald--probably he's a great actor.)

You're Getting Old When...

The star of  a movie  is playing a role in which she fears she has Alzheimer's and you remember when her mother left her husband to begin the affair with her father which resulted in her birth.

It was a great scandal then, wouldn't be one now.

War Horse and Agriculture

Just saw the movie War Horse, a very pretty film.  But Steven Spielberg is no farm boy. The first third of the movie is pre-war, when the thoroughbred Joey, the War Horse to-be, is trained both as a riding horse and a plow horse. In order to pay the rent, the father has promised the landlord to plant a field to turnips. Supposedly the field  is both virgin and stony, impossible to plow. Sure enough, it's on the side of a hill and the ground is strewn with stones (though it's not clear whether they're weathered from the bed rock, which in Devon would be sedimentary, or glacial, rounded by water). 

For dramatic purposes I can understand the decision to plow uphill, it makes the task for Joey more imposing, though it makes no sense from an erosion standpoint. When you see the first furrow plowed, and all subsequent furrows, somehow there's no stones in the soil, just good black soil.

Once the field is plowed, the father, limping from a war wound, starts sowing seed by hand. broadcasting across the furrows (no harrowing recorded). I could almost swear it was oats in the container, but I can't swear to it.  Now, through the miracle of Hollywood, all that broadcast seed turned several weeks later into neat rows! of turnips.  Unfortunately there's a big storm which somehow seems to uproot all the turnips, ruining the crop and creating another crisis for the family to face. I suppose the torrents could have eroded the dirt between the rows, but that didn't seem to be what happened.

I could go on to criticize the placement of the machine guns, but I won't.

It's a must see, if only for Emily Watson, who's always great.

Election Report

We voted today.  Elections for the state legislature, Fairfax county board, school board, bond issue, soil and water conservation district. Lots of choices, so being lazy and too cynical for high school idealism basically used the Democrats' sample ballot.

The paper said there was a problem getting volunteers to man the polls, but there was the usual complement at our polling place. 

Because control of the state Senate hangs in the balance (the Reps are favored to take over, ensuring a lot of conservative social legislation will get enacted) we've gotten lots of calls.  Today we had 3 calls to be sure we voted since the Dems have us recorded as "sure" votes they're desperate to be sure we did.

After voting we went off to the theater to see "The Ides of March", which I'd describe as a mashup of Clinton/Edwards/Obama (played by Clooney, who was co-writer and director) as a candidate for the Dem nomination versus Ryan Gosling as an idealist whose illusions are shattered.  Good acting talent, well done, but no chance to feel good about either the country or the Democrats.  (That's unlike Primary Colors, which could break your heart.)

The Guard

We really liked this movie.  See it. [94 percent on rottentomatoes.  The Irish accents are surprisingly understandable.] 

The Pets of Extras: Nothing Too Small for the All-Seeing Eye

The eye of the House Appropriations committee, that is:  From the report on the agricultural appropriations:

Animal Welfare Act.—It has been brought to the Committee’s attention that APHIS is using vital animal welfare resources to regulate the pets of extras in filmed entertainment. While the Animal Welfare Act’s intent is to establish minimally acceptable standards in the treatment of animals in research, exhibition, transport, and by dealers, the law was not aimed at regulating companion animals used as extras in the background of movies and television productions.  The Committee urges the agency to use the Secretary’s discretionary authority to seek alternative means of meeting its statutory mandate, including the option of issuing exemptions or master exhibitor licenses to these pet owners.

Hollywood and Title Inflation

One of the things people like Paul Light find is the inflation of bureaucratic titles in DC.  Secretary Gates has promised to cut the number of Deputy Assistant Secretaries in DOD.  Wife and I saw The American (we like George Clooney and Italian scenery) today.  I was amused to see a number of credits along the lines of "second second assistant director".

A Mere Surmise, Sir

A quote from the new Coen Brothers film, A Serious Man. Mixes Schrodinger's cat and the Book of Job into a comedy which I enjoyed. 

I also recommend Rob Roy,  a 1995 film starring Liam Neeson and Jessica Lange based, to my surprise, on a real Scottish character.  Watched it on DVD last night.  It's unforgivable there's no special features.

Catch the Movie then the Interviews

Wife and I saw The Informant this week.  We ended up really liking it.  Then C-Span reran its interviews with the author of the book, Kurt Eichenwald, which I caught part of, but the transcript is here.  As he says, a betrayal of capitalism. And, incidentally, a revelation of how what C.Wright Mills called "the power elite" works. It's a great story, but I'm too cheap to buy the book; I've got it on hold at the library.